交叉点

简介：在威尔斯的一个小镇，家庭主妇贝蒂和丧葬业者波里士，不想去面对两人之间没有结果的感情，因为贝蒂嫁给了下流的镇长，虽然两人的婚姻早已有名无实。日子一天天缓慢地过去，直到镇长的母亲窒息死亡，因为安排丧礼的缘故，终于又让波里士和贝蒂重聚。两人这一次决定要忠于内心的感情，但并不想造成任何混乱，于是计划让贝蒂假死，再一起搭着豪华邮轮私奔到南太平洋的小岛。不过当镇长和他的情妇马瑞迪丝计划杀掉贝蒂，好继承她庞大的家产和保险金时，让情况变得加倍复杂。于此同时，法兰克费瑟贝则想用夸张的赌城式风格来垄断镇上的丧葬业，有踢跶舞表演、金碧辉煌的亮片装饰，还有买二送一的大优惠。

简介：泰利（斯蒂夫·古根伯格 Steve Guttenberg 饰）是一名年轻有为的建筑师，私底下，他一直和老板的妻子西维亚（伊莎贝尔·于佩尔 Isabelle Huppert 饰）有一腿。这一天，泰利约西维亚来自己家中约会，正在两人享尽鱼水之欢时，西维亚发现卧室的后窗对面，一名女子惨遭歹徒强暴。　　因为害怕自己和泰利的奸情败露，西维亚不同意报警，可没过多久，西维亚便惨遭杀害。不仅如此，泰利还成为了这起事件的主要嫌疑人。为了替情人报仇，同时也为了替自己洗清冤屈，泰利找到了事件的受害者丹尼斯（伊丽莎白·麦戈文 Elizabeth McGovern 饰），两人决定联手，将真正的凶手捉拿归案。

简介：King, a trafficked lion cub, escapes from the airport in mid-transit and finds shelter in the home of Inès and Alex, 12 and 15. The siblings come up with a crazy scheme to bring King back to Africa. Unfortunately, the customs agents on their tail don't make their mission easier. But soon, Max, the kooky grandfather they've only met twice before, joins their adventure... and from then on, the sky's the limit.

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　　习武大成的宏伟刚刚回到老家，就被成为混混的发小佬桑将未婚妻绑架，逼着他去参加拳赛赚钱，决赛中故意被佬桑打败，让其赚取高额赔率。宏伟被佬桑暗下黑手打成内伤，未婚妻马霖推着他四处求医，医院的治疗后又找师姑南飞燕治好后，宏伟的伤势基本痊愈。此时外国密谋组织针对华夏的青年武道大赛，伤愈的宏伟奉命参赛。当宏伟一路高歌，顺利进入半决赛，发现对手是改练国外格斗技的佬桑。宏伟拼着受伤击败佬桑，却暴露了快腿不完善的弱点。因为弱点被透析，总决赛中宏伟被日本人伊势明打的节节败退，危急关头悔悟的佬桑突然冲入场中护住宏伟，被打的濒临死亡。此时宏伟悲愤交加，终于感悟快腿最后一式，将伊势明打败。

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　　林若依作为当下青年人的一个代表形象，积极的展现了当下的青年人对于自我梦想的追求与自我情感的认可诉求。敢于面对自己的情感并积极努力的去奋斗争取成功，与时代同进步，与社会同发展，成为当下新一代的新课题

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　　姚玉珍是万佛阁社区主任，生活俭朴，为人谦和，工作认真，在当地居民中赢得了很好的口碑。在贯彻执行党的社会主义核心价值观二十四字方针过程中，立足社区、心系民生。无论因退休找不到人生方向的老职工、还是多年积怨的婆媳关系、都被她一一解决，她除了做好社区本职工作外，还利用业余时间组建了社区艺术团。以这种形式向人们传递向上、向善的社会正能量。

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夏日时光。一个三口之家，单身父亲巴比斯和他即将成年的双胞胎孩子康斯坦丁诺斯和艾尔莎，乘坐家庭小船前往波罗斯岛度假。在游泳、日光浴和结交新朋友的过程中，康斯坦丁诺斯和艾尔莎无意中遇到了他们的生母安娜，她在他们还是婴儿时就抛弃了他们。这次相遇将激起巴比斯心中长久以来的怨恨，为每个人带来一段苦乐参半的成长之旅。

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姜子牙、姬发带队坚守西岐，家园保卫战一触即发！邓婵玉、闻仲奉商王殷寿之命，率魔家四将等殷商大军征伐西岐，西岐一方得殷郊、雷震子、杨戬、哪吒等相助，更聚全民之力守卫家园。兵戈相对、法术交锋，两大阵营掀起强强对决，关于“封神榜” 的争夺正在继续......

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：本片讲述了主人公沈平为了减轻女友绢子的经济负担，到准备高考的小薇家中当家教，在与之相处中，两人的情感发生了微妙的变化。沈平面临着娟子与小薇，将做出选择会是怎样的……

简介：家境一般的美女，爱慕虚荣一心想嫁人后到国外居住，连续相亲十几次都失败。隔壁邻居家36岁的儿子，在迪拜上班，回印度想找人结婚。虚荣女表白邻居男后，发现邻居男已经决定辞职回印度发展。想要儿子飞黄腾达的邻居妈妈，和想出国的虚荣女，在面临邻居男愤而出走后，才认识到亲情、真情的重要性。