An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats. There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!" About the director Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.
新经济浪潮的冲击下，海岛原居民的生活被彻底颠覆。海岛一位卖槟榔的阿婆（艾丽娅 饰）在选择儿媳妇的问题上和大学毕业回乡创业的儿子产生了不可调和的分歧。发展还是固守？ 电影《阿婆的槟榔》用白描的手法、诗意的风格并穿插了原生态的黎族民歌，在旖旎的海岛风情里讲述了黎族阿婆面对命运的纠结、无奈 和抗争，折射出社会变迁过程中传统习俗和现代文明、岛内文化和岛外文化的碰撞及融合。影片发人深思的故事直指人性，于淡淡叙说中彰显了生命的厚重。
党晓红是一位唐山地震的幸存者，她的丈夫在一次工地事故中受伤，大量失血，由于血型是罕见的RH阴性血，血库缺血，生命危在旦夕。一位不知名的好心人的无偿献血挽救了党晓红丈夫的生命，这一举动促使党晓红和她的女儿开始了无偿献血。在献血过程中，她的女儿被查出由于长期服用某种药物，换上了粒性白血病。女儿临终的愿望是能献满100次血。党晓红为了完成女儿的心愿，坚持长期献血，并发动周围更多人献血。
影片主要讲述了共同生活在601寝室的凌菲、夏涵、安妮、雨轩四位女孩的故事。乖乖女夏涵和穷小子陆军从高中就在一起，一起来到大都市上学。夏涵的表弟夏猛对安妮一见钟情，却始终被安妮当作弟弟看。富二代凌菲被富家子弟唐杰追求，并出于信任借给他300万。雨轩因为家庭破产和嫉妒心理而走上是非路，不仅和一个五十多岁的男人在一起，还在喝醉的时候被唐杰骗上床，同时沉迷于唐杰的谎言中，凌菲与雨轩因此反目，最终大家发现唐杰只是一个骗取钱财的骗子。陆军去创业之后提出分手，转校来的凯文及时出现，绝望中的夏涵接受了凯文。夏涵随凯文去柏林的前夕，得知陆军离开她的真相
关于英国史密斯乐队（The Smiths）主唱莫里西（Morrissey）的传记片，参演《敦刻尔克》的杰克·劳登（Jack Lowden）演绎主唱莫里西的事迹。
武馆教官龙道在惨遭女友抛弃的情况下，遭遇中日混血美女小雪“仗义”解围，而小雪因爸爸的日本商业社团出现重大内奸被送到中国上海的妈妈处避难，而妈妈也因自己的集团财富利益受到西方商业间谍、第二任丈夫林东雄及其外甥周正浩率领的歹徒团伙的威胁，龙道在机缘巧合下成为小雪保镖，小雪慢慢对龙道产生好感，并有了崇拜和爱慕之心，最后两人与三拨邪恶势力斗智斗勇，成功收获爱情。
