841
2.0

最爱

导演:
张艾嘉
主演:
张艾嘉,缪骞人,林子祥,李丽珍,鲍汉琳,翁世杰,钟景辉,罗美薇
别名:
未知
2.0
841人评分
粤语
语言
1986-07-24
上映时间
未知
片长
简介:

  人入中年的吴明宝(缪骞人 饰)和白芸(张艾嘉 饰)有一份几十年的友情,如今他们的丈夫都已故去,各自的女儿青春可人,正像她们当年的年纪,她们的回忆,一起回到了当年吴明宝和俊彦(林子祥 饰)订婚的时候……
  吴明宝在律师楼做秘书的时候与律师老板俊彦日久生情,双方家长撮合下,他们即将成婚。吴明宝将俊彦介绍给一起长大的闺蜜白芸,俊彦与白芸两人相谈甚欢,感到彼此所呼应的默契,一段隐秘的情愫在两人之间滋长。终于,俊彦在婚礼前产生了动摇,然而白芸拒绝了俊彦,与一位相识不久的医生匆匆成婚。多年以后,两个好友再度聊起当年的往事,吴明宝发现好友和丈夫瞒了她多年的一段情……

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荣耀六十年1938
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更新时间:05月21日
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简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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HD中字|国语
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更新时间:05月21日
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