356
3.0

红楼二尤

导演:
杨小仲
主演:
言慧珠,林默予,金川,李保罗,周刍,路珊,康泰,马骥,徐曼,许垦,房珊,关宏达,陶由,杨芳青,张辉凤,高扬 等
别名:
未知
3.0
356人评分
汉语普通话
语言
未知
上映时间
未知
片长
简介:

黑白片,12本,上海国泰影业公司1951年摄制。                                                                        杨小仲 导演,朱静 摄影。                                                                        故事梗概:                                                                        根据陈灵犀原著改编。 清朝康熙、乾隆年间,宁国府纨祷子弟贾珍的远房亲戚尤二姐、尤三姐,随母亲来到贾府拜寿。贾珍见二尤均为绝色,顿起他图。利用其家穷困,施以恩惠,并为尤家母女另置新屋,供应一切。尤三姐性情刚烈,富贵不淫,威武不屈。与出身卑微的戏子柳湘莲相爱,对贾珍冷眼相对。尤二姐天性软弱,因寄人篱下,对贾珍事事敷衍,终被从外归来的贾珍之弟贾琏的花言巧语所骗,嫁给贾琏做了二房。贾珍又威胁利诱尤三姐,均遭三姐拒绝。三姐向贾珍表明自己心许柳湘连,非此人不嫁。贾珍怀恨在心。三姐返回乡间,找寻柳湘莲。二人相见,柳湘莲赠鸳鸯宝剑作为定婚信物。不久,贾琏偷娶尤二姐的事被其妻王熙凤知道。贾琏因奉父命外出三月,这期间,王熙凤将尤二姐接回府中同住,对二姐百般凌辱。并用药将二姐的身孕堕下,待贾琏回来要与二姐相见,被王熙凤阻拦。而贾琏已另有新欢,将二姐抛弃,二姐悔恨交加。三姐看望二姐。二姐万念俱灰,吞金自尽。柳湘莲得知三姐进城,赶来相见。贾珍命贾蓉在途中散布谣言,讲三姐已属于贾珍,柳湘莲不明真相,遂来尤家与三姐绝交,并向三姐索回宝剑。不等三姐解释,贾珍率众人赶到,贾珍诈言柳为杀人犯,要加以逮捕。贾珍要以三姐允从自己作为交换柳湘莲的条件。在此危急之时,三姐允从贾珍之言,贾珍放了柳湘莲。三姐毅然取出宝剑嘱咐柳湘莲马上离开,并告之谁是仇人,拔剑自刎。柳湘莲万分悲痛。贾珍大失所望,驱逐尤母返乡。柳湘莲在尤三姐尸前发誓报仇,背剑策马,落荒而去。

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更新时间:05月21日
主演:Charlotte Barbier-Krauss
简介:Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。  Summary  Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be.  An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...  Review  Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.  The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944.  Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance.  The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
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