喊山

简介：2009年，女记者娜娜在“中国红色第一街”列宁街偶遇白发苍苍的雪姨，从而引发了一场跨世纪的血色浪漫回忆。1933年的绥州（今达州），清纯的雪儿爱上了英俊的红军战士文书桐。后来，红军战略性转移撤出绥州，文书桐也随部队离开。红军连长之妻梅姐在战斗中不幸牺牲，雪儿独自承担起抚养梅姐遗孤的重任，苦苦等候文书桐归来，但此时，她将再次面临已是国民党军官健豪的威逼求婚……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：刚搬到新城镇的朱莉加入小镇备受推崇的高中啦啦队，满怀欣喜的她期待着每日练习的日子。不久后，其中一名啦啦队员遭遇神秘事故，紧张诡异的氛围顿时弥漫整个团队。然而，种种疑点看来，事件矛头竟指向教练？

简介：

　　某疯狂科学家（乔宏 饰）因儿子感染艾滋病死亡而精神失常，他命令助手四处绑架同性恋者带到私人货柜船龙宝号上进行活体实验。警局督察长发叔（曹达华 饰）先后派人数次登船搜集证据，最后皆以失败告终。
　　在夜总会演杂耍的石罅米（石天 饰）自幼研习武功，成年后进入特种大队，却因被指控有虐待倾向而离开警队，永不叙用。如今他独自抚养三个孩子，生活倒也快乐。某晚演出时，他和好友老虎仔（林振康 饰）目睹并插手一起绑架事件。由此将麻烦引到自己身上，而另一方面，发叔发现石罅米和一与疯狂科学家有勾结的日本人容貌相似，遂拟定了一个计划……

简介：

　　在异次元世界的北玄星上，存在一个利用人类训练的战斗灵物进行斗灵的族群，邪派血盟妄图依靠拥有强大力量的魔晶称霸拳台而对付斗灵族群；斗灵师庄峰在重创之下失去斗志，女儿庄妙为了帮助父亲重拾信心并对抗血盟，选中了资质极差却潜力无限的异魃石头加以训练，石头的出现不但令庄峰重新燃起斗志，在拳台上拔得头筹，更成为庄峰与庄妙之间的情感纽带，终使父女俩冰释前嫌

简介：如果杀人电影中的连环杀手有一个女儿呢？ 如果女儿说她要接管家族企业怎么办？

简介：

　　万能私家侦探社是一家连同社长黄若思（许冠文）在内只有三名工作人员的小侦探社，由于生意不咸不淡，加上黄若思为人小气刻薄，员工河豚（许冠英）和积琪（赵雅芝），尤其前者没少遭罪。原在汽水厂上班的李国杰（许冠杰）因工作偷懒被老板解雇，一身好功夫的他来到万能求职，黄若思起初不肯雇用，随后见他的确有两把刷子，应了下来，薪水自然苛刻。
　　李国杰没来之前，黄若思与河豚搭档侦探的，无非一些风流、偷窃、欺诈事务，这些案件不是每一都能侦破，而侦破的过程常常充满尴尬，远称不上完美，但其时香港社会的百态却一览无遗。他来之后，三人的合作亦是如此。更要命的，是他们常被警探（吴耀汉）误视作不法分子。
　　几件不大不小的案子，尤其八十岁老翁的娇妻（卢慧芝）在外与人（吴耀汉）偷情一案办过，李国杰显现出比黄若思更强的工作能力，更得客户青睐。某日，黄若思与李国杰受委托来到某家先前被劫匪威胁、现有劫匪出入的戏院，捕捉劫匪的过程中，黄若思被匪首（石坚）的几声枪响吓破胆且负伤，李国杰却凭机智将劫匪制服并收获意外好处，两人身份一时对调。

简介：

本片根据罗伯特·塞瑟勒的全球畅销小说改编。20世纪初，幼孤安德烈亚斯被送至偏远山谷中的农场，与冷酷无情的叔叔同住。在18岁那年，他鼓足勇气逃离，成为了一名樵夫。安德烈亚斯用积攒的钱租赁了一间山中小屋，并遇见了玛丽，他的生命之光。然而，安德烈亚斯无奈地被征召入伍，加入了德国国防军，在几乎没有胜算的情况下奔赴前苏联前线。当安德烈亚斯历经战火洗礼归来时，世界已面目全非。

简介：

讲述仁川大桥上被孤立的人们与因“寂静项目”而诞生的生命体进行斗争的故事，将展现人类的不合理、科学技术的反作用，及华丽的动作戏。                                                                      　　李善均饰演青瓦台保安室行政官“车政元”，送别前往澳大利亚留学的女儿后遭遇事故，无法挽回的时间逐渐变多，车政元是收拾这一烂摊子的角色。朱智勋饰演与宠物狗一起出动到事故现场的“赵博”一角，看起来很自私，但是他是一个用进取精神和积极行动为电影带来活力的角色。

简介：

　　奇是一食堂伙计，立志成为名厨，却受老板独眼龙陈真刻薄，终于奇愤而辞职，却落得被陈真追斩。逃亡中更误将日本少女京子抛落海，京子誓报此仇。奇父临死前将一些金币交给他，要他和离家出走之兄长米融洽相处。奇往大阪找米，米对奇提出要将大阪摔角配合香港饮食，米返港，立刻租铺招聘人手，聘任了猜猜碰、古及大锦。
　　米亲自教授摔角技俩及大阪口音日文，众人分别化身成摔角手“财神”、“为食蒙面人”、“小笼包”、“豹子头”及“大阪超人”，并命名“大阪摔角饭店”。京子流落香江，晕倒饭店门前，米同情其遭遇并收留了她。奇唯有长期戴住“大阪超人”面具，却想不到京子是“大阪超人”之崇拜者，见奇便怦然心动。
　　奇偶遇大声公，大声公因身怀神秘光碟，被杀手阿二追杀。大声公临死前偷偷将光碟放入奇外套内，令奇被阿二追杀，更成为通辑犯。“大阪摔角饭店”因电视台之转播而声名大噪，生意滔滔。京子则与奇日夕相对互生情愫。好景不常，在陈真恶意破坏下，饭店生意一落千丈；米亦因老婆小美要带同儿子丹尼离港再婚，以致意志消沉，无心恋战；同时京子被经理人公司挖角，京子虽希望奇挽留，惜奇态度回避，更发现其真面目，愤而离去。自此生意更是一厥不振。
　　转机来临，著名饮食家周仁奇光临饭店。米得奇激励，重新振作，更意外发现秘制小笼包秘方，泡制给周仁奇品尝，得到高度赞扬，自些“大爆炸小龙包”吸引了大批慕名而来之老人食客，生意亦再次兴旺，其时京子亦决定重返饭店。 危机出现，陈真决意“一镬熟”，带计时炸弹混进饭店。时杀手阿二及手下亦同时杀到，找寻光碟。阴差阳错，京子夺去光碟，逃至大堂，最后演变成双方在擂台上展开大决战……

简介：

　　方力（楼云飞 饰）和其父方子良（万梓良 饰）因为觊觎毕哥（文熙 饰）家祖屋，和其提出一场爱情对赌。内容为：限定三个月内，毕哥成功帮助当地一富家千金萌萌（范薇 饰）走出感情隐瞒并且收获一段新的恋情为输赢。究竟谁赢谁输还未曾得知，文熙饰演的毕哥能够赢得方力， 这一切都吊足了影迷们的胃口。而女主角贝贝（沈璐 饰）至始至终从出谋划策到忍痛割爱也为她与男主角毕哥的爱情做了赌注。

简介：

什塔赫尔中尉（乔治·佩帕德 George Peppard 饰）出身卑微，但他视荣誉高于生命，在104飞行学校毕业后加入了威利上尉的飞行中队。起初，什塔赫尔中尉因击落一架英军飞机而受到队员们的怀疑，尽管这次击落未被英军确认。但他的真正恩怨始于他迫降一架英军战斗机，并在反抗的射手企图反击时用枪打死了他。威利上尉（杰瑞米·坎普 Jeremy Kemp 饰）因此指责他使用了过度的暴力手段对付无助的敌人，从而与什塔赫尔产生了矛盾。                                                                      　　然而，威利上尉的妒忌并没有阻止什塔赫尔的战功。什塔赫尔中尉逐渐积累了足够的击落敌机数，最终达到了20架，这使他获得了空军蓝色勋章，成为德国空军中的顶尖飞行员之一。他的英勇事迹被空军将军和柏林方面广泛宣传，并在德国民众中享有声望。在此期间，什塔赫尔中尉还与空军将军的年轻夫人发展了一段暧昧的关系，增添了故事的情感和戏剧性。故事展现了战争时期飞行员的生活、战斗中的紧张情景，以及他们在艰难环境中面对的人性考验和道德困境。