日本春歌考

　　一年前一幢豪宅女主人突然失踪的失踪引起了宅内所有人的相互猜疑，接连之后所发生的一系列古怪事宜更让大家开始毛孔悚然。
　　所有人在心中都在猜测缘由，并且为女主人所留下的遗产、包括她价值连城的钻石项链而暗自争斗。豪宅的一切没有变化，然而新的成员、新的故事却在不断发生着，结果原来所有离奇的实际都起源于这根价值连城的“钻石项链”。

　　千金小姐劉貞蓮（林玉）不幸身患痲瘋，其父劉員外（羅維）招贅窮書生李孝文（凌波）為婿，意圖賣瘋傳毒。貞蓮將真相和盤托出，孝文感於貞蓮真情，決意回鄉稟明母親，迎接貞蓮返家。劉員外發現貞蓮瘋疾未去，惟恐敗壞家風，一怒將貞蓮鎖入石屋。貞蓮萬念俱灰，竟狂飲毒酒，以圖自盡……

　　一对老夫妇在五十年结婚纪念日来临之际，三个儿女虽然早已成家立业、独立生活，但做父母的仍会尽心尽力地付出自己的关爱与支持，让儿女们在面对各自的生活困苦时仍能感受到来自于家庭与父母的温暖与慰藉，即便是儿女们有时忽视了对父母的关爱……
　　一日，老两口突然从旧物堆中找出了半个世纪前的结婚照，他们那已渐渐麻木的夫妻之情被唤醒了。丈夫心脏病突发，陪伴在身边的只有那朝夕相处的老伴，青春的岁月似乎又回来了，在夕阳中，夫妻二人手牵着手……

　　大型历史电影史诗《解放》由五部电影组成。第四部电影是《柏林之战》。1945年卫国战争的最后几个月。正是在这些日子里，决定了被奴役欧洲的命运。维斯洛-奥德行动开始了。科涅夫、茹科夫和罗科索夫斯基指挥的三条战线向德国首都冲去。英美军队也前往柏林。丘吉尔建议，"走在俄罗斯人前面"，与希特勒的使者开始秘密谈判，雅尔塔会议开幕。柏林的命运将在战场上决定。

　　大型历史电影史诗《解放》由五部电影组成。第二部电影《突破》讲述了1943年后半期的二战大事件。希特勒营救墨索里尼，将意大利绑在德国的战车上；红军突破第聂伯河防线，收复基辅；德黑兰三国首脑会议，决议开辟第二战场等等。

　　故事讲述被江湖各派推举為“武林之尊”的修德武馆，被胸怀野心的朱天翔(罗烈 饰)踢馆捣乱，幸得少主人徐近武(张翼 饰)打退。天翔得知韩氏三姐妹若兰(沉依 饰)、如玫(林嘉 饰)、晓莲(潘迎紫 饰)家藏威力惊人的玄铁神剑，若能夺得，武馆必败，遂以花言巧语骗得神剑……

　　George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes.
　　While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle.
　　The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.
　　The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s.
　　But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way.
　　The high cheese factor is aided by the good-time cast: Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl.
　　One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star.
　　Elmer Bernstein's swaggering score helps goose the action along.