我是路人甲

简介：詹妮弗（劳拉·邓恩 Laura Dern 饰）是一名纪录片制作人，她正在制作一档关于世界各地女性生活状况的纪录片。一天，詹妮弗意外的收到了母亲奈特（艾伦·波斯蒂恩 Ellen Burstyn 饰）的来电。奈特告诉詹妮弗，自己发现了她在13岁的时候写的日记，日记中记录了当时的詹妮弗和骑马教练G夫人（伊丽莎白·德比齐 Elizabeth Debicki 饰）以及跑步教练比尔（杰森·雷特 Jason Ritter 饰）在夏令营中一起度过的时光。　　詹妮弗幼稚的记录暴露了一些让奈特感到非常不安的消息，在奈特，以及未婚夫马丁（科曼 Common 饰）的鼓励之下，詹妮弗决定找到G夫人和比尔，询问当时到底发声了什么事情。哪知道这个举动打开了詹妮弗记忆力紧锁的潘多拉魔盒。

简介：本片故事取材于真实事件。1937年12月13日，侵华日军攻占南京城，进行了惨无人道的大屠杀。为了保护难民和中国军人的生命安全，以寂然法师为首的栖霞寺僧人自发组织起来，创办佛教难民收容所，先后援助和安置难民24000多人。在与日军的抗争中，许多僧人惨死在日军的枪口下。寂然法师等人不畏牺牲，一边援助伤病难民，一边设法保护抗日军人，掩护他们安全过江，又冒着生命危险把记录着日军南京大屠杀罪证的胶片送出南京。在与日军抗争的过程中，手无寸铁的中国僧人们面对死亡，毫不畏惧，以普渡众生，慈悲为怀的佛教教义为武器，展开面对面的斗争，书写公开信，揭露日军暴行，与凶残的日军进行了一场人性与兽性的较量。最终正义战胜邪恶，保全了千年古寺，保护了24000多难民的安全，全片弘扬了伟大的人道主义和爱国主义精神，弘扬佛教僧人高尚的爱国情操，展现一段鲜为人知的故事。

简介：挥霍无度的威利·利兰再次返回到一贫如洗的伦敦家里，他父亲很高兴，但威利·利兰似乎并不愿意留ddd。

简介：幼时迷恋武侠的范饼饼机缘巧合之下得到了一本武林秘籍，从此走上了“修炼”一途，并成为了“胡同一霸”。而后参加了一场武林大赛，打败了传说中戳破天际的气功大师，夺冠后膨胀的范饼饼想参加国际泰拳比赛，结果海选时就被瞬间KO，蜜汁自信的他被虐的体无完肤后被扔出赛场，转而被阿茉所救。　　　　曾是厨神的莫老爹遭遇合伙人背叛，生意失败，失去味觉，变得一无所有，欠下巨额高利贷，整日用酒买醉。为鼓励落魄的父亲找回昔日厨界辉煌，阿茉走上了帮父亲重拾信心之路。为了帮助好心收留他的莫老爹父女，范饼饼说出了自己拥有特殊味觉的这个“天赋”，于是，一场关于拥有武侠梦的功夫选手与泰国厨神反转人生走向巅峰的爆笑励志喜剧开始上演......

简介：

本片根据真实事件改编。讲述美国入侵阿富汗期间，年轻的美国士兵亚当被派驻阿富汗，年轻气盛的他遇到了魁梧正直的迪克斯中士，很快将其视为兄长和榜样。但后来亚当发现迪克斯示意手下杀害当地的无辜人民，良心发现的他考虑将他们的行为报告给上级反而被同袍威胁。迪克斯中士手下这支全副武装、越来越暴力的小队，也开始怀疑自己的队伍中有人背叛了他们。迪克斯中士强迫亚当杀死平民，不然就会杀死他。亚当面临痛苦的抉择，究竟是保全自己，还是想办法说出真相？

简介：

影片故事发生在哥本哈根的夏天，讲述二十几岁的医学院学生塞蒙，和他的年轻室友们的青春故事。失恋的室友、生活的枯燥，让他们开始想要逃离，于是一场不合时宜的毕业旅行也成了他们告别单纯的青春岁月的开始。

简介：富二代提多亟欲向心上人寶拉證明自己。他向她謊稱出身貧困，怎料謊言卻變得一發不可收拾。

简介：

　　当一名在拉普兰荒野当中发现黄金的前士兵试图将战利品带入城市时，一名率领纳粹士兵的残忍党卫军军官则挡在了他的面前....

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：一个善良单纯的男孩独自生活在边界地带上。他每天无忧无虑，靠着垂钓生活。他已经将这个地方选定为自己隐居与享受宁静的地点。有一天，一个陌生人的出现打破了这一切，带走了他的平静生活。伊朗影片《无疆界》荣获东京国际电影节最佳亚洲影片，是导演阿玛.侯赛因.阿斯加瑞（AmirHosseinAsgari）自编自导的第一部电影。片中没有过多的台词和音乐渲染，朴实的镜头和小演员真诚的表演却带来前所未有的冲击，让这个故事真实而感人。

简介：巴西惊悚片，巴西导演马可·杜特拉作品，影片提名第29届东京国际电影节(2016)最佳影片。一名已婚女子在家中遭到强暴后，选择向丈夫隐瞒，却浑然不觉他被他自己深藏的秘密所苦，也不知他心中的复仇计划书...

简介：故事发生在19世纪的美国东北部，艾比盖尔（凯瑟琳·沃特森 Katherine Waterston 饰）和丈夫戴亚（卡西·阿弗莱克 Casey Affleck 饰）在这里经营着一座农场，繁重的农活让艾比盖尔和丈夫之间没有任何的交流，不久之前两人的女儿因病去世的事件也让这对夫妻之间的感情更加的疏离。　　某日，农场里来了一对小夫妻——塔利（凡妮莎·柯比 Vanessa Kirby 饰）和芬妮（克里斯托弗·阿波特 Christopher Abbott 饰），塔利的处境和艾比盖尔差不过，在家庭中也处于弱势的地位，她因为无法怀孕而遭到丈夫的冷待。两个内心里伤痕累累的女人一拍即合，很快就培养出了真挚的友谊，这友谊随着时间渐渐发酵，散发出了爱情的醇香。