877
5.0

屌丝骑士

导演:
平林克理
主演:
中村伦也,远藤新菜,柾木玲弥,柳英里紗,アレクサンダー大塚
别名:
未知
5.0
877人评分
日语
语言
2015-05-23
上映时间
未知
片长
简介:

  改编自80年代传奇工口漫画。
  讲述了色胚男主人公诚豪介,转入了一所“女尊男卑”的超大小姐学园,为了争取男权、废除“三禁”,向自治会会长美崎静香宣战。决战当日却惨遭凶恶教师岚铁美迫害,豪介的色情能量,能否拯救全校的危机?
  他又能否成为静香的骑士 ?(原味字幕组)

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卧龙战警
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更新时间:06月06日
主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯
简介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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