怎样都行

　　南太平洋瓦努阿图的坦纳岛上，年轻女孩瓦瓦（玛丽·瓦瓦 Marie Wawa 饰）爱上了部落首领的孙子戴恩（蒙哥奥·戴恩 Mungau Dain 饰）。可部落战争爆发时，她发现自己变成了休战的联姻“贡品”。违背家族意愿还是追随自己的内心，她必须做出选择。
　　影片荣获2015 年威尼斯影展国际影评人周单元最佳摄影奖，代表澳大利亚征战2016年奥斯卡最佳外语片，并入围前5强。

　　俄罗斯洋妞莎莎，是一个喜欢中国武术、性格倔强、热烈奔放的姑娘。在与中国男人威廉即将步入婚姻殿堂之际，威廉不辞而别。莎莎恼火之下，毅然来到中国，寻找威廉，她要知晓爱人为什么不辞而别？
　　莎莎到了威廉家乡，在寻找的过程中，遇到威廉的许多朋友，他们竭力给莎莎留下美好的印象。威廉的朋友还安排一对模范小夫妻文涛和高霞陪伴莎莎，文涛善解人意，高霞温柔善良，两个人劝阻莎莎放下这段情感。
　　一心想找到真相的莎莎不依不饶，她凭借对中国的一知半解，凭借敢打敢拼，闹出好多笑话。而陪伴她的文涛和高霞之间，情感也出现问题，文涛已移情别恋，高霞另有隐情，他俩的婚姻面临决裂。
　　绝不放弃的莎莎终于了解真相：原来她做了中国男人的小三，威廉回到中国，因为他必须承担做儿子、丈夫和父亲的责任。而文涛和高霞的爱情隐秘，在她的帮助下，也终于破解，这是一个艰难困境中的“爱情童话”。
　　莎莎也经历了新的邂逅，她遇到了率直的中国小伙小顽童，某种情愫让她难以割舍……

《老九门之青山海棠》开机，董浩然饰张启山，朱赞锦饰二月红

影片讲述了外卖天才小哥程焕（姜来 饰）与陷入瓶颈的短道速滑运动员沈冰心（林潇 饰） 因一场野冰竞技相识后，经历艰苦训练和磨合，最终共同奔赴梦想赛场的故事。

　　丈夫死后，劳拉（朱迪·丹奇 Judi Dench 饰）一直郁郁寡欢，周围的朋友们都劝她找一点自己感兴趣的事情来分散注意力，没想到感兴趣的事情对于劳拉来说竟然是买下一间倒闭的剧院。对经营剧院一窍不通的劳拉找来了专业人士范达姆（鲍勃·霍斯金斯 Bob Hoskins 饰），两个老人强硬的性格导致了许多的争吵却也给他们的生活带来了一丝生机。
　　劳拉将剧院取名为“温德米尔剧院”，他们的经营获得了巨大的成功。但好运并不总是伴随在身边，很快，竞争对手们纷纷效仿劳拉的做法，温德米尔剧院的生意一落千丈。为了挽回局势，劳拉做出了一个大胆的决定——在剧院中表演脱衣舞。这一决定犹如巨石投入大海，激起了无数浪花，但劳拉坚定的意志竟然让这个几乎不可能通过审核的表演项目获得了批准。但就在观众们拭目以待的节骨眼上，战争爆发了。

房产推销员王嘉诚，偶遇了财神，并且还踩碎了他的法器，如能修好法器，财神将会赏他荣华富贵。一夜暴富的穷小子，在经历了一连串因钱引发的啼笑皆非的荒唐事后，逐渐找回迷失的自我，领悟了人生的意义。

　　本片以喜剧恶搞的形式展现古朴小镇发生的一系列搞笑故事。电影讲述一名时髦、爽朗的女孩逃家出走，误闯到一个安静古朴的小镇，和刚刚回乡的客栈店主等乡民一起，与来征地的房地产老板做斗争。

　　Based on the true story of Donald Crowhurst.
　　1968: An inexperienced sailor enters a round the world race which he fears he won't be able to complete yet alone win. In order to save his dignity, he decides to cheat to come last but things don't go according to plan.

　　几个世纪以来，不死人之间的战斗从来没有停止过。这一次，超级强大的不死人凯尔从过去来到了现在，他的强大是其他不死人难以望其项背的，无论柯南还是邓肯，若论单挑都不是他的对手。两个人遭到了拥有各种绝技的恶毒暗杀者的围攻，他俩不仅要在各个时空中穿梭联手抗敌，最后还要其中的一个做出牺牲才能战胜邪恶的力量……

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.