野性的呼唤2009

简介：

　　1949年，中华人民共和国成立。经过连年战乱，中华大地山河残破，百业待兴。然而正当全国人民齐心合力建设新家园之时，却有领导干部在权力的宝座上迅速腐化堕落。
　　1950年夏，天津爆发洪涝灾害。时任天津地委书记的刘青山（李国华 饰）和行署专员的张子善的干部到地方视察灾情，机关干部赵子平为了巴结领导，挪用公家资金为刘、张设立伙食补贴和特别经费。在此之后，赵又抓住各种机会向刘等人提供住房和商业实惠。以此为契机，刘、张伙同赵子平悍然盗窃国家救济粮、治河专款、干部家属救济粮、地方粮、克扣民工粮款，甚至挪用机场修建费，给国家造成巨大损失。
　　1951年，“三反”、“五反”运动兴起。在天津地委副书记林克俭的检举下，刘青山和张子善的遵行彻底暴露，他们也为自己的行为复出应有的代价……

简介：A story of nephew and a son which revolves around their emotions and village drama and army based story.

简介：

本片改编自同名漫画，讲述了高中教师原美铃一边隐瞒与好友美奈子的未婚夫早藤的关系，一边从讲台的高处俯视观察学生们，偷偷地满足自尊心。但是，假装平静的日常生活因为自己班上的男学生·新妻的事件而开始崩溃…

简介：

　　大志（梁朝伟 饰）在电玩店中工作，胸无大志的他只希望日子得过且过，身无长技唯独打电玩厉害的他，也只能在比他年幼的多的孩子们之中耍耍威风。阿美（罗美薇 饰）是大志的女友，虽然大志对待两人之间的感情一直敷敷衍衍，但忠贞贤惠的阿美依旧温柔的包容着他的任性。
　　某日，阿美在无意之中得知了大志在外沾花惹草的“光荣事迹”，心痛的她再也无法忍耐，决心彻底离开他。与此同时，大志在偶然中勾搭上了黑帮大佬的女人，因此而引来了杀身之祸。接踵而至的危险和麻烦让大志开始明白，究竟什么才是生命中值得珍惜的东西，然而，他还有机会再次挽回阿美早已经破碎的心吗？

简介：

　　1975年的美国费城，经济凋敝，NFL（美式橄榄球联盟）中的费城老鹰队亦缺乏斗志，连尝败绩，频遭看台上费城球迷的嘘声，但这并不妨碍文斯·帕培尔（Mark Wahlberg 饰）和一班老朋友享受橄榄球运动带来的乐趣，尽管他本人的生活也颇不得意——最近几年一直处于半失业状态，妻子新近离他而去，只能靠在酒吧打工维生。
　　老鹰队为扭转颓势请来了新教练莫克（Greg Kinnear 饰），莫克提出在全费城选拔新球员，已经30岁的文斯不再对生活报不切实际的幻想，然而还是经不住朋友们尤其酒吧老板表妹珍妮（Elizabeth Banks 饰）的鼓励参加了海选并成为唯一入选的预备队员。
　　训练生活异常艰苦，同这些四肢发达的球员们合作需要坚定的信念，文斯的自我怀疑被朋友们一次次打消，他最终要为这座城市、他自己，找回生活的尊严与希望。

简介：

　　传俊本性极之痴情，同年时因目睹母亲的放荡行为，将母亲杀死。从此俊变得极之紧张，更潜在杀人的倾向。俊在一次偶然机会下结识了女探 员阿兰，惊为天人，并用各种古怪方法追求，从此两人交往甚密。可惜兰已有男朋友世昌，而俊为了想完全占有兰，故伪装成一通缉犯，借机将世昌及一暗恋兰的上司杀死。后来兰发现原来杀世昌的凶手为俊，而得知他杀死前女友亚美。在追捕中俊决定与兰同归于尽，但结果反被兰杀掉。

简介：

A mother must protect her family on Christmas Day from a demented stranger who is hell-bent on tearing them apart.

简介：

　　根据纪实文学《黑弥撒：FBI和爱尔兰黑帮不光彩合作的真实故事》改编。
　　詹姆斯·巴尔杰是全球十大在逃通缉犯之一，他发迹于波士顿，获奥斯卡最佳影片的《无间道风云》中的黑帮大佬就有他的影子。巴尔杰建立的“冬日山岗帮”（Winter Hill Gang）是波士顿著名的黑帮组织，从贩卖毒品到倒卖军火无恶不作，另外他们和包括爱尔兰共和军在内的北美及欧洲许多主要的犯罪集团都有联系。

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简介：

　　在一座即将拆除的老楼中，只有一户人间还亮着灯光，小有名气的作家李清（包小柏 饰）和妻子萌萌（常乐 饰）迎来了令他们颇有些尴尬的访客婷婷（倪景阳 饰）。婷婷是萌萌的老同学，而她又和李清私下暧昧不清。心怀嫉妒的李清不满妻子此前曾与客户孙某有染，话里话外刺激妻子。当气氛到达最紧张的时刻，婷婷竟然在厕所的隔断里发现一具血腥尸体。似乎在很久之前，从海南写作归来的李清认识了隔壁的一个奇怪邻居，经对方指点他发现了妻子的秘密，进而引发了血腥的杀人事件。
　　以此为开端，李清的生活变得一团糟，他与妻子之间温情不在，只有钩心斗角，狡诈盘算……

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：十部必看的希腊电影经典之一。如果想了解希腊文化尤其是音乐此片必看。1984年柏林电影节最佳导演银熊奖。　　Considered to be one of the most powerful and emotional Greek movies, Rembetiko focuses on the life of an individual woman,a real person and through her personal story, it retells the story of Greece,from 1920 to 1955the national disaster in Asia Minor,the one million refugees who came to Greece,the World War II,the Nazi occupation,the Civil War.The tragedy and the glory of a nation during the century.And all these bound with the music of rembetiko,the music of the outcasts.Great direction,great performances,great music.A voyage to history of the first half of the 20th century, but also a voyage to the origins of rembetiko.Realistic and dreamy.An original Greek epic.