顾冠忠和女友感情很好,并准备年底结婚,女友在基金会工作,热情服务,顾是杀手,小沉是顾的朋友,此人有神经质,不时扮女人去杀不顺眼的人,一天,顾女友见小沉扮女人在电梯口见面,心有怀疑于是跟踪小沉,顾也怀疑基金会长心怀有不轨的行为,前去理论,二人动武,将基金会长枪杀.这边小沉查觉有人跟踪,急回顾家,见顾女寻找什么,于是将……
本片改编自同名漫画,讲述了隐瞒黑道孙女的事实,下定决心要度过平凡的青春和谈平凡的恋爱的濑名垣一咲,和因为过度保护她而虚报年龄,走后门进高中,动不动就露出黑帮身份的年轻头目宇藤启弥,两人之间酸酸甜甜、有笑有心动的爱情攻防战。
电影以一个真实的故事为蓝本,讲述一个原本幸福富裕的家庭,因为飞来横祸爸爸突然离家,家庭一时陷入困境,留下妈妈和孩子支撑家庭,但一次意外妈妈又病重入院,困顿的现实压在了家庭中唯一的孩子,电影小主角年仅10岁的小茜身上。她用自己的力量去背负起整个家庭的责任的感人故事。
电视台体育节目主持人任小雨(李湘 饰)偶然路过快餐店,即兴采访食客王大山(李成儒 饰),本来对市队满腹牢骚的他对着话筒夸下海口,亲自组建“包子队”与市队叫板,不料此言被现场直播出去,引起全市球迷的极大兴趣。本来是王大山借着酒劲信口开河,但球迷们信以为真,电视台和任小雨也如座针毡,不得不假戏真做。电视台文体部主任钱宁(李俊峰 饰)与小雨临阵磨枪,想出一个应急办法,让快餐店的老板伙计悉数上阵,决心“不蒸包子争口气”,歇业投入训练。与此同时,另一支财大气粗的“国际联队”也被怂恿的头昏脑涨,赛前集体宣誓,坚決拿下“包子队”,大战一触即发......
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
深夜的地铁站,因错过末班车让山音麦(菅田将晖 饰)和八谷绢(有村架纯 饰)两个年轻人不期而遇。他们相约前往附近的咖啡店,并且畅聊文学、电影和各自的爱好。令他们感到惊喜的是,两个人无论是习惯、爱好还是理念居然极其相似,仿佛就是另一个自己,因此他们对对方渐渐产生好感。在此之后,他们相约再次见面,顺理成章成为了情侣。大学毕业,步入社会,小麦和小绢痴心相守。只不过现实生活磨砺着年轻人的意志和爱情。小麦被迫暂时放弃自己绘画的梦想,成为一名上班族,日渐拮据的生活也让他们减弱了对理想生活的要求。 不知不觉,曾经如此合拍的两个人渐行渐远,变成了最熟悉的陌生人……
16岁的曼纽尔(马丁·米勒 Martín Miller 饰)在一个沿海小镇的生活。他与几个最好的朋友一起组建了一个乐队,并在其中担任贝斯手。乐队的一名成员是费利佩(泰奥·伊纳马·基亚布兰多 Teo Inama Chiabrando 饰),他与曼纽尔有着长久的友谊。曼纽尔和阿苏尔之间的感情也在不断深化,两人在热烈的情感中一同成长。然而,当曼纽尔和阿苏尔第一次在一起时,曼纽尔开始经历一些全新的认知和感受。这涉及到他对感情和性的理解,以及对自身身份和身体的认同。 电影呈现了青少年成长过程中涌现的复杂情感和身份认同的探索。通过音乐、友谊和恋爱,曼纽尔在小镇生活中经历了一系列变化,塑造了他独特的个性和观念。
一位空乘和男友为了偿还旧债,不得不设法偷走一批钻石。怎料飞机遭人劫机,他们的计划完全失控。
海伦与马蒂厄有一段维系多年的幸福关系。突如其来的变故让海伦束手无策,失去了生活的重心。为了寻找答案,海伦在网上发现了一个名为“先生”的挪威博主的网站。海伦被“先生”的风趣和人生态度所打动,凭着直觉,只身前往挪威,试图寻找新的道路。身处壮观浩瀚的环境下,以及与“先生”的这段不同寻常的友谊,海伦度过了一段愉快时光。彼岸的马蒂厄很担心她,分开一段时间后,他来到了挪威,试图劝她回家。
车王卫锋(释彦能 饰)经历姐姐被诈骗集团逼死的痛苦,决意以自己的方式复仇。在冬子(彭天颖 饰)等一帮兄弟的帮助下,阿锋为公子哥伟少(王子宸 饰)成功改装赛车,并获得信任。只身深入狼窝的阿锋,险些让最在乎他的顾小雪(陈燃 饰)受到伤害。他也逐渐发现伟少犯罪团伙肮脏的秘密...