127小时

简介：考完大學入學考，20歲的男同志光浩和朋友到同志酒吧放鬆一下。他在那裡偶然認識了俊，毅然決然跟著他到首爾的家裡過了一夜。

简介：邪恶的雷米博士在拜万迪精神病医院的地下私自创建了一个人体实验室，虽被塞文教授发现阻止了他的阴谋，但事情并没有结束。雷米的冤魂仍在附近徘徊，伺机反扑人间……20年后，一名神秘女孩被送往这个精神病院，同时她的到来也引起了雷米亡灵的注意。在女孩经过一系列恐怖怪异的事件后才知道，她是打开医院地下“地狱之门”的关键“钥匙”，雷米企图用她来达成邪恶的愿望。终于，大批恐怖的地狱活死人涌向人间，展开了一场血腥的大屠杀……

简介：占士邦（谭耀文 饰）长得一表人才又颇具才干，是广告行业内出了名的花花公子。因为对感情缺少信任，年岁渐长的他依旧保持单身，在内心里，他一直希望能够出现一个“完美的女人”，捕获他的真心。　　最近，占士邦在工作上遇到了点麻烦，他需要策划一支啤酒广告，却苦于没有灵感。就在这个节骨眼上，仿佛是上天赐给他的礼物，一个神秘的女子茱莉亚（舒淇 饰）出现在了占士邦的生活之中，只是，当占士邦开始注意到茱莉亚之时，她早已经消失的无影无踪。茱莉亚的冷艳与神秘带给了占士邦灵感，工作上的问题迎刃而解，与此同时，占士邦亦对茱莉亚的真身产生了兴趣。

简介：新年午夜，杰夫（Dylan McTee 饰）和琳德赛（艾丽克斯·埃索 Alex Essoe 饰）这对夫妻驱车行驶在漆黑的路上。两人只顾谈情双爱，没有认真看着前方，结果狠狠装上了一名陌生人。他们将伤者带上车，准备拉到最近的医院治疗，然而对方却在半路断了气。经过一番内心挣扎，他们将死者带回家中。杰夫发现汽车牌照丢在了现场，于是又驱车赶了过去，留妻子一人在家。就在这时，琳德赛的妹妹汉娜（佩拉·哈莉-贾德林 Perla Haney-Jardine 饰）回到家中，而本该死去的男人突然活了过来，向汉娜发起攻击。混乱之中，汉娜开枪射杀对方。　　事情似乎变得越来越复杂，杰夫尝试弄清对方的身份，结果却发现……

简介：4月30日 韩国男演员玄彬退役后首部回归作定为历史片《逆鳞》，在片中扮演朝鲜时期年轻大王正祖。　　至今以王为主题的电视剧或电影虽很多，但玄彬将通过影片《逆鳞》以更加强韧且有气场的面貌，体现与众不同的大王“正祖”。影片名“逆鳞”指巨龙身上不可触摸的一块鳞片，一旦被触及立刻散发出无限龙威，即君主的怒气。含蓄表达了在两派老论和少论较量中，需要守住王权的正祖当时的心境。

简介：When their stolen jetski's break down a group of spring breakers come under attack by a great white shark.

简介：夏洛特（桑德拉·狄 Sandra Dee 饰）出生在一个非常开明的家庭之中，她的母亲杰曼（米谢琳·普雷斯勒 Micheline Presle 饰）是一位风情万种的法国女子，夏洛特继承了母亲的多情。一次偶然中，夏洛特邂逅了名为尤金（鲍比·达林 Bobby Darin 饰）的摄影师，才华横溢的尤金很快就吸引了夏洛特的注意令她坠入情网，可是让夏洛特苦恼的是，尤金是一名不婚主义者。　　夏洛特向母亲求助，在杰曼的出谋划策之下，两人最终顺利的携手步入了婚姻的殿堂。可是幸福的生活没有持续太久，夏洛特的老同学蒂娜（斯蒂芬妮·鲍尔斯 Stefanie Powers 饰）成为了尤金的新模特。眼看着丈夫对自己越来越冷漠，夏洛特着急了。

简介：由荷兰同名小说《托尼欧安魂曲》改编，讲述了荷兰著名作家范德海伊顿的独生子托尼欧，在圣灵降临节的周日，骑着自行车在阿姆斯特丹大街上被撞倒，年仅21岁的他因伤过重不幸早逝。他的双亲伤心欲绝，深受打击。作家以安魂曲的形式，追溯了托尼欧生前种种偶然事件如何使他走向致死的车祸。

简介：才情旷世、桀骜不驯的苏联芭蕾舞巨星雷里耶夫，是兼具自信、欲望与野心的白鸦，坦然放荡于双性之间。影片将他在西伯利亚铁路呱呱坠地，以至在巴黎 演出期间投奔西方的经历前后交接；在恩师普希金眷顾训练下，成为全球首屈一指芭蕾舞男星。赖夫费恩斯（《狄更斯的隐密情人》，38 届）演而优则导，舞坛新星奥力伊凡高首次担纲，配搭“芭蕾坏男孩”瑟基普鲁尼，借新一代光华， 向不朽芭蕾男神致敬。

简介：星期五、球場、冰淇淋、口水病、少女、男孩。

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简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.