特警使命之狙击风暴
6.0 |2025年05月21日 |已完结
简介:

  特警队长潘愚非(王紫逸 饰)带领队员,为守护康城的和平与正义,与不法分子斗智斗勇。在一次案件破获中,市民老赵的举证如虎添翼,终使犯罪分子得到了应有的惩罚。正当老赵与潘队一同庆祝小雄的升学宴时,枪王杀手陶欢(冯起龙 饰)突然出现,不仅将老赵夫妇残忍射杀,高材生小雄也因脑中枪变成低能儿。
  多年后,残余恶势力再次犯案,为将他们一网打尽,特警提前布控狙击手,掌握其行动轨迹后,出动全部警力封锁道路,将他们围堵至废弃工厂内进行围剿。正当警方要将被捕嫌疑人押解上车时,现场突现不明身份者,开枪击毙罪证人犯。究竟是谁巧妙避开狙击手视线,秘密潜伏并且破坏警方行动?
  潜伏在毒贩组织中的警方线人多次提供重要线索,使警方顺利逮捕毒贩头目郭庆东。郭庆东被抓后,其组织成员心思各异,一方苦想救人计划时,另一方企图窃取保险箱的钱财跑路,却不想郭庆东留有一手,给保险箱又加一层保险。时况僵持,陶欢也来搅浑水,将警方线人举报获取信任后,将小雄绑架作为交换的人质。他步步为营的真实目的是什么?被卷入漩涡的小雄能否再次逃出生还?毒贩与警方相约在废弃工厂交换人质,陶欢深藏已久的阴谋与贪婪欲望在此刻暴露无遗,他不仅暗中挑起警匪大战,且为独吞钱财暗中将郭庆东杀死。潘队与陶欢展开互狙对决,你来我往不分伯仲,王牌特警和亡命杀手的较量也就此展开。此刻不再是两人之间的恩怨,也是特警荣誉和邪恶势力的对抗,是正义守护与欲望掠夺的对狙。几番追逐和激战,硝烟散尽,终于迎来了一决胜负的最后一枪。子弹出膛,也必将有人倒下……

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简介:In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
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