光的棍

光的棍

HD国语

9.0 |05月21日 |片长90分钟 |已完结
简介:

悲惨的童年经历给姚不同(陈昊 饰)的内心笼罩上了挥之不去的阴影,因为这阴影,即便已经长大成人,姚不同依旧无法自然的面对异性,他的感情生活也因此至今仍旧一片空白。一次偶然中,姚不同与名叫欣小然(周知 饰)的女孩擦肩而过,就是这匆匆的一眼,令姚不同坠入了情网。                                                                        卡小柔(徐洁儿 饰)希望能够将姚不同的经历拍成电影,这令姚不同获得了向欣小然表露心迹的机会。姚不同的温柔和体贴令欣小然为之动容,两人就这样走到了一起。然而,让姚不同感到震惊的是,欣小然竟然和他的童年阴影有着千丝万缕的关联,与此同时,欣小然亦因为家庭的变故,而产生了同姚不同分手的念头。

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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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